Activities that now comprise AEFI’s principal research component—the National Study of Artist-Endowed Foundations—were initiated in 2007 with the support of a donor consortium led by the Pollock-Krasner Foundation, Roy Lichtenstein Foundation, and Andy Warhol Foundation for the Visual Arts, and including major arts funders such as the Ford Foundation and Getty Foundation. These donors realized the potential of this young field to substantially expand the nation’s cultural philanthropy resources. They also recognized the field’s growing role in artistic heritage stewardship. Responding to numerous requests for information from persons considering or charged with foundation creation, and understanding the complexity of the task, they determined that a project to document and disseminate effective practices was in order.
As it has been since the effort’s inception, AEFI’s mission is to help the next generation of artist-endowed foundations make the most of their founders’ generosity in service to a charitable purpose. It aims to strengthen this next generation, and optimize its charitable capacity, by filling the significant information gap facing individuals involved in creating, leading, governing and advising foundations. By shortening the steep learning curve inherent in these distinctively endowed entities, AEFI helps ensure that charitable resources can be spent on charitable purposes, not costly lessons. To this end, AEFI conducts ongoing programs to develop and share knowledge with key audiences. These programs and their participants include:
Research and Publications—National Study of Artist-Endowed Foundations, regular Study Report Supplements and Updates, briefing papers on critical issues, and targeted publications, such as A Reading Guide to the Study Report for Artists and Their Family Members. Artists, artists’ families, associates and advisors, foundation leaders, policymakers, journalists, scholars, educators and students use these resources.
Knowledge Sharing Events—Workshops for foundation creators, including artists and their spouses/partners, and artists’ surviving spouses and heirs; briefing sessions for foundation advisors, including attorneys, art dealers, investment advisors, and accountants, hosted by local and national professional associations; and public panel discussions for members of the art, museum, philanthropy, education and media fields, and for interested public audiences, hosted by leading cultural institutions, including The Museum of Modern Art, New York, Los Angeles County Museum of Art, Harvard Art Museums, Cambridge, Fine Arts Museums of San Francisco, Graham Foundation for Advanced Studies in the Visual Arts, Chicago, and the Clark Art Institute, Williamstown, among others.
Leadership Programs—Seminar on Strategy for Artist-Endowed Foundation Leaders, assisting the professional development of new foundation leaders, and Artist-Endowed Foundation Leadership Forum, collaborating with foundation leaders, field experts, and thought leaders to examine and discuss critical issues and important innovations in policy and practice that are influencing the field.
ARTIST-ENDOWED FOUNDATIONS INITIATIVE/AEFI ADVISORS
Charles C. Bergman, Chairman & CEO, The Pollock-Krasner Foundation
Alberta Arthurs, Former Director, Arts & Humanities, The Rockefeller Foundation
Richard Calvocoressi, Former Director, Henry Moore Foundation
Michael Conforti, Director Emeritus, Clark Art Institute
Jennifer Dowley, Former President, Berkshire Taconic Community Foundation
Michelle Elligott, Chief of Archives, The Museum of Modern Art
Ruth Fine, Former Curator of Special Projects in Modern Art, National Gallery of Art
Marion R. Fremont-Smith, Senior Research Fellow, Hauser Institute for Civil Society, Harvard Kennedy School
Marc-André Renold, Director, Art-Law Centre, University of Geneva, CH
Aida Rodriguez, Professor of Professional Practice, Milano School of International Affairs, Management & Urban Policy, New School
Stephen K. Urice, Professor of Law, University of Miami School of Law, AEFI Academic Advisor
James T. Demetrion, Director Emeritus, The Smithsonian’s Hirshhorn Museum and Sculpture Garden (NB – double “hh”)
Lowery Stokes Sims, Curator Emerita, Museum of Art and Design
James Smith, Vice President/Director of Research and Education, Rockefeller Archive Center
ARTIST-ENDOWED FOUNDATIONS INITIATIVE/AEFI STAFF
Christine J. Vincent, Project Director, Artist-Endowed Foundations Initiative/AEFI
Tracey Rutnik, Deputy Director for Research and Policy, Program on Philanthropy and Social Innovation
Rachel Pulley, Program Coordinator, Program on Philanthropy and Social Innovation
Contact the Artist-Endowed Foundations Initiative/AEFI at:
Artist-Endowed Foundations Initiative/AEFI
The Aspen Institute
One Dupont Circle, NW
Washington, DC 20036
(202) 736-2501 (phone)