Back by popular demand, the Aspen Institute presents Sharing Shakespeare, a moderated, roundtable discussion series that takes place one night a month for 6 months. Beginning in October, the 2024-25 session will explore one of Shakespeare’s most significant works, Hamlet.
New this year, we will focus the entire six-month series on one play, and by doing so, participants will read one act per month and share their insights and questions to reach a deeper understanding of one of Shakespeare’s most beloved and performed plays.
Volunteer moderators will lead participants through lively discussions dissecting the intriguing scenes and characters in Hamlet while uncovering themes that still resonate today. Expert Shakespeare moderators, Carol and Ken Adelman, will join the series to kick off this exciting new format, and will moderate the final session. Join us!
Dates and Times: Monday nights from 6:00–8:00 pm MT October 21, November 18, December 16, January 13, February 10, March 10.
Location: Aspen Institute, Aspen Meadows Campus
Fee: $185, includes all sessions, light refreshments, and reading materials. Scholarships available.
Register for the 2024-2025 Sharing Shakespeare series here. Please email acp@aspeninstitute.org for more information.
Module 1
October 21: Hamlet: Overview
You could spend a lifetime studying Hamlet and realize there is more to learn. From its first words, this play is full of mystery. Commentators surmise there’s not a day since 1601 that Hamlet hasn’t been staged somewhere. The play’s exciting plot, unforgettable characters, and deep philosophical insights have made it a smash hit over the past 400+ years. Come join us as we dive into this plot that features everything from blooming young love to accidental and intentional murder to a demanding ghost.
Moderators: Sandi Kister and Ted Frisbie with an introduction by Ken and Carol Adelman
November 18: Hamlet, Act I
A ghost shocks, a king dies, a widow quickly remarries, a son is deeply depressed, and a ghost demands revenge. The plot rushes fast as Hamlet pledges quick retribution. We expect a short play. This opening act presents many mysteries, among them: Why is Claudius crowned and not Hamlet? Why does Gertrude marry so soon? Should Hamlet believe the ghost?
Moderators: Donna Grauer and Cathy O’Connell
December 16: Hamlet, Act II
Questions arise over feigned or real madness, staged or real young love, true friends or spies, actors staging a murder play, and Hamlet seeking proof. What is real and what is artifice? The play continues to present the audience with mysteries and we question what is true.
Moderators: Dipika Rai and Enid Ritchy
Module 2
January 13: Hamlet, Act III
The play’s pivotal act includes verbal sparring, espionage, a play within the play, deportation, pleas for forgiveness, mistaken murder, and the reappearance of the ghost. The act is full of questions. Why does Hamlet verbally assault Ophelia? Is he aware of the King’s spying? What is Hamlet saying in “To be or not to be?”
Moderators: Roberta and Mike McGowan
February 10: Hamlet, Act IV
This act dispatches Hamlet to England to be killed, Laertes’ coup attempt and conversion to the King’s co-conspirator to murder Hamlet, and Hamlet’s miraculous return to Denmark after arranging his friends’ death. The mysteries include whether Gertrude can emotionally separate from Claudius, how the King turns Laertes into a collaborator, and what precisely causes Ophelia’s demise.
Moderators: Julie Comins and Greg Pickrell (TBC)
March 10: Hamlet, Act V and Wrap-up
In the final act of the play, we also see the final act of six of its key characters. The mysteries abound as we explore the dramatic scenes of how this final act unfolds. Was Hamlet furious or insane when plunging into Ophelia’s coffin? Was Gertrude’s death a murder or suicide? Was Laertes’ dying accusations wholly accurate? The action-packed ending is enthralling, and reviewing the play in its entirety will make for a lively discussion indeed.
Moderators: Carol and Ken Adelman