The exhibition features 28 of Bayer's most dynamic compositions.

June 2019 - May 2020

In the Paepcke Gallery, Bernard Jazzar, curator of the Lynda and Stewart Resnick Collection, examines the Museum of Modern Art’s (MoMA) 1938 exhibition entitled Bauhaus 1919-1928. Although not the first presentation of Bauhaus material in the United States, it was the most extensive and most significant and a true example of Herbert Bayer’s innovative exhibit design. The enlarged photographs presented in the gallery, provided by MoMA, give a general impression of the exhibition and insight into Bayer’s unusual approach to exhibition design.

September 2018 - June 2019

This exhibition of photographs, generously on loan from Jamie White and Andrew Sirotnak, and Paul Harbaugh, presents a selection of images Herbert Bayer created between 1928 and 1934, a time in which he was most prolific with the camera. Although he continued to use the camera throughout his life, he was never interested in continuing his work in photography as an art form. This small exhibition reveals yet another aspect of Bayer's work that is less known and deserves to be better appreciated, not just as a moment in time, but how it was an essential part of Bayer becoming the complete artist and embodying the ideals of the Bauhaus.

The Institute acquired and installed Anaconda, a 1978 sculpture by Herbert Bayer.

June 2018 - June 2019

Herbert Bayer: Mountains and Convolutions, 1944 – 1953, an exhibition featuring 28 of the artist’s most dynamic compositions, was presented in the Resnick Gallery in the Doerr-Hosier Building at the Aspen Institute. Organized by Bernard Jazzar, a leading authority on the work of this influential, Austrian-born artist, the exhibition focuses on a rich body of work Bayer produced during a seminal period in his career.  Painting his landscapes in the years following the upheavals and dislocations of World War II, Bayer sought solace and inspiration in nature.